Another set of black and white negatives has been opened. The neg envelope says "184 - Eric Carmen" but I found so much more. I somehow managed to shoot three musicians, three different nights, on one roll of film. And that's only 36 frames, potentially giving me 12 frames each. I took 10 photos of Eric Carmen, 15 photos of Andrew Gold (who I will highlight tomorrow), and 12 of Chuck E. Weiss. Oops that's 39 frames...I was always really good at getting the most out of a roll of film. I'm just wondering why I called the roll Eric Carmen since he has the least number of photos. He was the last one on the roll so I think I was paid to shoot him and I have another roll kicking around that also has backstage pics. May post some pics of him when I come across the other shots.
The surprise on this roll of film - there's always a surprise - was the last frame of Chuck E's. He was the first one on the roll and when I got to frame 12 I couldn't believe it. I actually had to message Sir Weiss to ask him if this other guy had ever played with him or whether this other guy had a twin. He verified it was indeed the musician I thought it was. Damn. I really wish I had gone through all my negatives one-by-one when I was creating Everybody I Shot Is Dead because I could have added this photograph to his section. I was not happy that I only had one photo to represent him in the book. And this one is such a beautiful and happy photograph of both of them. Today, I am happy to unveil this special photograph for the first time. Chuck E. Weiss with the late, great Ronnie Barron. This and the other never-before-seen photographs in this post were shot at the Troubadour in Los Angeles in March, 1976.